Different art practices, the interpretation and understanding of the concept of art, different mediums and artists' forms/contents of objects can be compared. In this comparison, the relationship between aesthetic sensation and the subject perceiving the art object can be examined. In this regard, it is possible to examine it in the phenomenological philosophy of perception, in aesthetic perception, in the context of perceiving-receptive phenomena and perception. The purpose of this article is to examine these comments through photography and to provide a perspective on the effects of photography on architecture. It was carried out through literature review, which is one of the qualitative research methods.Hence, within the scope of the study, 4 examples are discussed on how images no longer remain only two-dimensional static and only visible structures, and the transformation of images into interactive structures with digitalization and the processes of responding to different movements of the human body. In the conclusion, Le Corbusier's approach to phenomenology is examined by taking a closer look at his interior photographs and how he manipulated them.
